25726 WADA Morihiro Soun flower literature

Height 37.2cm
Diameter 18.4cm





Wada Morihiro became friends with Kenkichi Tomimoto while studying at Kyoto City University of Arts. He then built a kiln in Kasama, Ibaraki Prefecture, and began his creative endeavors. His highly original works have been praised both at home and abroad, and Wada Morihiro has led the Japanese ceramics world. He easily surpasses the praise of being "the successor to Kamoda Shoji," and no matter how you look at his pottery, you can say that he is Wada Morihiro. His works seem to be decorated with patterns that naturally welled up from within him at the time, and therefore, just like the artist himself, his style is inevitably not limited to one place but is always evolving into something new, which is why he has transcended the boundaries of "Japanese contemporary ceramics" and has been recognized around the world.
The designs alone include "Cedar Pattern," "彡 Pattern," "Cloud and Flower Pattern," "Cloud Flower Pattern," "Bird Pattern," "Asuka Pattern," "Sand Porcelain," "Wind Grass Pattern," "Linked Bud Pattern," "Box Pattern," "Dancing Pattern," "Cicada Pattern," "Thousand Patterns," "Connected Thousand Patterns," "Its Wind Pattern," "Taiwan Pattern," "Man Pattern," "Seed Pattern," "Ring Seed Pattern," "Auspicious Flower Pattern," "Square and Round Vessel," "Red Genuine Vessel," "Flower Figurine," "SEKKA-ON," "Autumn Harvest," and more, and his work is spreading among pottery lovers around the world every year.